Today's Deep Thought - Why do people walk towards you forcing you to veer out of your path and sometimes hug buildings to avoid them?  Am I that magnetic that I draw them to me? I think not.


This week I'm reading Tana French's The Likeness.

From Kirkus:

The discovery of her murdered doppelganger leads a Dublin detective to insert herself into the victim's life. Cassandra Maddox, the Irish cop introduced in French's In the Woods (2007), gets an urgent call from her homicide-detective boyfriend Sam O'Neill. She is to drop everything, disguise herself and hustle to a murder scene that has clearly left Sam shaken. His distress is understandable. The corpse in the abandoned cottage outside the depressed suburban village of Glenskehy is a dead ringer for Cassie. Stranger still, the name on the victim's ID is Lexie Madison, the same name Cassie used during a long, dangerous, undercover operation. Before she was stabbed, Lexie was one of five residents, all Trinity University students, living in Whitethorn House, a mansion inherited by one of the students. Frank Mackey, Cassie's tough supervisor from her days in undercover, thinks the best bet for solving the Lexie murder case is to withhold news of the death from the public. This way, Cassie can pose as Lexie and perhaps get to the bottom of what happened. There are enough clues to Lexie's life in her phone camera that Cassie, against Sam's better judgment, takes the challenge. Several days later, armed and wired for sound, Cassie is dropped off at Whitethorn, where she is taken back into what proves to be a very tightly knit group. There is dark, brilliant Daniel, who owns the house, gay Justin, clever Abby and beautiful Rafe. Using the formidable acting skills that made her so successful in undercover work, Cassie seems able to convince the friends that she is Lexie. As she begins to reconstruct the events leading up to the murder, she finds herself sucked into the group, and her loyalties begin to shift. Police procedures, psychological thrills and gothic romance beautifully woven into one stunning story.


French's first novel, In the Woods, was one of my favorites in 2007, so I'm asking myself why it took me so long to get to this one.  It probably has to do with the fact that French left a lot of unanswered questions at the end of In the Woods, and I usually like neater endings.  




From Barnes and Noble:

A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours.

Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a twelve-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox—his partner and closest friend—find themselves investigating a case chillingly similar to the previous unsolved mystery. Now, with only snippets of long-buried memories to guide him, Ryan has the chance to uncover both the mystery of the case before him and that of his own shadowy past.

Richly atmospheric, stunning in its complexity, and utterly convincing and surprising to the end, In the Woods is sure to enthrall fans of Mystic River and The Lovely Bones.

I haven't gotten very far in it, but it's already a really good read.